UPDATE…Serendipity
is returning to movie-star status ….WITH
SLIDE SHOW
By
JENNIFER MACISAAC
The
vintage-style “Blue Room” wallpaper began going up this
week in the Hatteras Island beach house made famous by the romance
movie “Nights in Rodanthe.”
Serendipity was saved from probable demise at the edge of the Atlantic
Ocean by its new owners Ben and Debbie Huss of Newton, N.C.
The
couple is in Rodanthe this week, scrupulously attending to details to
recreate the film-version of the celebrated house, inside and out, and
they have a tight production schedule to meet. Its opening
act
– the first vacation rental of the season – is set for the
week of May 5.
Since it was built in 1988, Serendipity was the first house to come
into view after crossing Oregon Inlet, onto Hatteras Island and driving
through the Pea Island National Wildlife Refuge. However,
with no
dune to protect it from the Atlantic Ocean during major and minor
storms, the house had become a “problem child” for locals
and visitors alike. Sand and saltwater frequently were
wind-driven under and around the house in the Mirlo Beach development
and onto the only route on and off the island – Highway 12
– forcing delays and road closures, and the house itself had been
condemned multiple times as a result of storm damage.
The Husses negotiated to buy the house to save it from likely
demolition during much of last year and closed on the deal right after
the first of the new year. In January, in between storms that still
sent sea water surging under and around the house, they had Serendipity
moved amid a parade of onlookers to a more protected site on East
Beacon Road, about one-half mile south of its original
location.
The effort is a labor of love for the Husses, who saw the house in the
2008 film starring Richard Gere and Diane Lane, and then during
subsequent trips to Hatteras Island. When they learned of its
plight, the couple decided Serendipity “needed them.”
“We just had to save it,” Ben Huss explains.
“We weren’t going to let it fall into the ocean. It’s
not an antique house or a historical house, but it’s an iconic
house, and we just couldn’t let it die.”
According to Huss, preserving Serendipity is a financial gamble for him
and his wife, “but I’m an old, hard-headed, crazy
risk-taker,” he says with a laugh and a smile. “We
want to bring Serendipity back to its movie-style glory so people can
enjoy it.”
Work has been ongoing to the building’s exterior to recreate the
look of the enchanting “Inn at Rodanthe,” as it was
fashioned by moviemakers.
Only the film’s exteriors were shot at Serendipity and around
Rodanthe, and once shooting was complete at the house, all of the
exterior enhancements made to the house for “Nights in
Rodanthe” were removed.
Now, the inside is getting a Hollywood-style makeover as well to match
the set that was used for interior shots in the movie, which were
filmed in and around Wilmington.
With at least six weekly rentals already contracted through Vacation
Traditions, the Husses are working feverishly get the house to ready
for its debut. To that end, the couple’s project manager,
Mike Price, had photos of the film-version of house film blown up, and
they’re matching its details down to the blue storm shutters,
wallpapers, paint colors, swinging kitchen doors, hanging beads, and
furnishings.
Tools and equipment are scattered everywhere both on the inside and
outside of Serendipity, and the Husses are hard at work with their
crews. Debbie Huss and her interior decorator Rebecca Ennis
searched through countless sample books to find exact matches for the
wallpapers seen in the film.
“We’re hanging paper in the (Richard Gere) ‘Blue
Room’ now,” Debbie Huss says, “and we’ve got
the Diane Lane bedroom floral wallpaper up. We want to
decorate
four or five of the rooms in the house to look just like they were in
the movie, right down to the paint colors we use.”
It is all in the details. The swinging door with carved,
metal
inserts has been handmade for the kitchen entrance to match the movie
set. A family friend is donating a 1918 pump organ for the
dining
room area.
“I have to figure out which wall to put it against,” Debbie
Huss says. “It’s a dilemma, but it has to go in here
because there’s one in the movie.”
Mike Price and his crew are engineering new stairs, decks, and roof
trusses piece-by-piece.
“Mike is my fabricator,” Ben Huss explains.
“It’s hard to get all of the angles on these roofs
right. A lot of it is figuring the pitch. It’s
complicated, because we don’t have any blueprints to work
from.”
“I’ve done a lot of different stuff you know,” Price
adds while stroking his full beard, then pushing his ball cap back a
bit, “but this one is pretty interesting.” Price, who
is from Concord, N.C., has been a contractor for 37 years and says
Serendipity is one of the most challenging jobs he’s ever
had.
“There aren’t any plans… you know, it’s
Hollywood. So we work for awhile, then I run inside and look
at
the pictures again just to make sure we’re doing it right.”
Ben Huss refers to the entire process as “paint by numbers.”
It’s a literal statement for some elements. Hatteras Island
resident Beth Bird, who worked on the house during its prep for the
film, offered the Huss’s a gallon of left-over paint that was
used on the blue exterior shutters. Having that paint has
allowed
the contractors to match the color exactly for the new shutters that
will soon be going up on the windows.
Although Serendipity is going though many changes and additions, some
of its original elements are being carefully preserved. The
wood
paneling in the house is made from Brazilian cedar, shipped to the
island by the original owners of the house, Roger and Celia
Meekins. It can be best appreciated in the cathedral ceiling of the
octagonal tower on the north side of the house.
“Just look at that ceiling,” Ben Huss says.
“You can see why we had to save this house… The interior
has sustained very little damage because of the way it was
built.
I thought this paneling was just plain old bead-board, and we thought
about painting it, but then I learned its history. It’s
really nice wood.”
The couple has been receiving inquiries from a wide variety of people
eager to rent the house for special events, and with special
requests. Ben Huss points out the ocean-side deck and the set
of
steps that lead down to the beach.
“See all of these pickets? Folks want these pickets to be
painted white, just like in the movie,” he says.
“There’s this super-romantic fellow who’s been
calling me, wanting to reserve the place for his wedding in
October. He wants to know if there’s somewhere he can rent
some ponies, so when his pretty new bride walks down these 19 steps in
her flowing white gown, someone can release the ponies to run down the
beach. I told him that was a pretty special wedding he was
planning, and asked him how long he and his girl have been
together. He says 16 years. I laughed, and said
‘Well, I guess that’s why.’
“Another fellow from Ocean City has about a dozen clothing
stores. He wants to rent the house for a photo shoot with
surfer-models to promote his new clothing line,” Ben Huss
says.
The Husses hope to rent the house as often as possible and are offering
it to charity groups for a reduced rate. They plan to use it
themselves only in the off-season or when it’s not booked.
Ultimately, whether Serendipity reimburses the couple for the financial
gamble they’ve taken is a matter of faith.
“I do a lot of praying,” Ben Huss says, “and just say
‘PUSH’. Do you know what that means? It means
‘pray until something happens.’ And that’s what
we do.”
Roger Meekins, in his own words,
on the story of the Spanish cedar
Just before the construction of Serendipity-at-Mirlo commenced in 1987,
I had recently completed an inter-disciplinary master's degree at NCSU
in Wood Technology and International Development. I
was at
the time also doing some volunteer technical advisory work at several
overseas locations on projects with the International Executive Service
Corps (IESC). As a result of this various exposure, I had
learned
about a fairly exotic species of wood known as Spanish Cedar (cedro, in
its scientific, generic terminology), which is specifically noted for
its accentuated freshness and cedar-related aroma. I decided to
incorporate this as a recognizable element into the construction of
what was to be the one of the first of a kind, "world-class" beach
house on Hatteras Island.
Cedro grows in the Amazon River basin in Brazil and at some other
locations in Central America. This particular wood used in
the
interior of Serendipity's construction grew about 2,000 miles upriver
along the Amazon. The logs were cut and floated about 1,000
miles
downriver to a sawmill. There, it was sawn into rough lumber,
loaded on a barge and barged another 1,000 miles to the port of Belem,
on the Atlantic Ocean, where it was then ocean-freighted to a lumber
company in New Orleans. I purchased the rough lumber from
them,
and from there it was trucked to the Outer Banks. I next employed the
J. W. Jones Lumber Co. of Elizabeth City to mill the rough lumber into
tongue-and-groove beaded paneling for installation on the walls of the
common areas in the house. Other elements, such as the
staircase
handrails and balcony railing and posts of Spanish cedar, were
milled-out and assembled in my own shop in Manteo.
But here is perhaps a little-known fact about this exotic wood and
important for any new owners to know, so that they may take advantage
of a bonus which probably they didn't even know they had acquired, and
likely may never have come to their attention otherwise.
After
several years of regular atmospheric exposure, the accentuated aroma of
the cedar fades. However, the new owners, in their
rehabilitation
efforts and processes can easily restore it to the original smell by
simply sanding down the exposed surfaces of the untreated, raw
wood. The aroma of cedar comes from what is known as an
"extractive" in the growth processes of the tree, and this can be
renewed periodically simply by exposing a new surface of the wood (a
simple light sanding with a very fine-grain sandpaper, using an
orbital, rotary, or belt sander will do the trick).
So herein is my continuing contribution to helping prolong the life of
a house which has attracted so much attention over so many years, and
has become famous enough to interest someone like the Huss family to do
something about nostalgically preserving its life and its legendary
recognition. Just a little sandpaper can restore the exotic
cedro
aroma of the house, and again it will exhibit its original freshness of
a South American jungle. CLICK
HERE TO VIEW SLIDE SHOW